Curatorial statement

Curatorial statement
My curatorial research explores art forms such as site specific art, installation and sculpture, often in conjuncture with the digital. I am particularly interested in developing interdisciplinary statements that relate to contemporary ideas in the fields of architecture, anthropology, urbanism, and cultural studies. Recent projects have examined urban environments in relation to the social and historical fabric of cities. Additionally, I study sound as an independent rather than supplementary medium, and I am particularly interested in work that deploys sound as a vector of social and politic values. The acoustics of the space and the context of exhibition are central in my sound curation, and I try to challenge conventional modes of presentation.

Friday, June 20, 2014

Rewiew

Blackflash Mag, issue: 31.2 on newsstands May 2014.

A fascinating discussion with sound artist Richard Garet speaking on the first major exhibition on sound art in New York last year entitled “Soundings: a contemporary score” by critic / sound artist Esther Bourdages (QC).